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The Encouragement Of Story

The superhero film “Thor” encouraged me, a friend of mine said. How should great stories encourage us? What stories have encouraged you by echoing to you God, or our nature and response to Him, or the beauty of God’s world, or all three? · E. Stephen Burnett

The Place Of Hope In Speculative Fiction

I find Chesterton’s perception of “modern fiction” — stories written in a realistic style nearly a hundred years ago — eerily similar to stories written in a realistic style today. When the imagination is separated from spiritual reality, it seems to stall on the bleak and the horrible. · Rebecca LuElla Miller

Randy Alcorn on Story, Courage, and The New Earth, Part 2

Author Randy Alcorn explores how he wrote the contemporary novel “Courageous” (adapted from the new film), and how anticipating the physical New Heavens and New Earth can change a Christian’s life forever, starting now. · Randy Alcorn

Randy Alcorn on Story, Courage, and The New Earth, Part 1

Author Randy Alcorn shares how he came to love God-honoring sci-fi and fantasy stories, how such stories point us toward eternity, and why some Christians still tend to avoid visionary novels. · Randy Alcorn

Stories For Christians 1: The New ‘watchful Dragons’

C.S. Lewis wrote about “watchful dragons” on guard against religious trappings that seem incompatible with enjoyment. But many Christians today employ different Churchian Dragons, who tolerate fiction (if they do) mainly if it plays well on their own moralist pragmatic grounds. · E. Stephen Burnett

The Good And Bad Of The Reading Experience

If fiction is a model for life which readers create in collaboration with writers, then it seems to me readers are being transformed by writers into whatever writers believe to be true. · Rebecca LuElla Miller

Harry Potter, Bob The Tomato, and Genre

At one little Baptist church in 1997, no one had heard of Harry Potter. But “VeggieTales” was all the rage, and was proposed for the church’s VBS — until Vera (not quite her real name) spoke up. “I won’t have this at my church,” she said firmly. “It’s fantasy.” · Zach Bartels

Why We Should Write Fiction For Christians, Part 2

Amidst the cries to emphasize only subtler Christian stories, let’s not forget that Christians also need to see themselves and their beliefs simulated as only fiction can, and that some in the Church are genuinely confused about stories and need novelists’ love. · E. Stephen Burnett

Steve Rzasa on Scripture, Story, and Space Opera

Author Steve Rzasa (“The Word Reclaimed” and “The Word Unleashed”) talks his past journalism, present story efforts, and future fiction, touching also on community journalism, denominations, and sci-fi devices for interstellar travel. · Steve Rzasa

Why We Should Write Fiction For Christians, Part 1

Many voices encourage Christian novelists to aim for secular audiences, and that is surely a worthy calling. Yet less frequently do we urge storytellers to explore the Gospel more directly in fiction that is by Christians, for Christians. · E. Stephen Burnett

‘Harry Potter’ and The Issues Beyond Fiction, Part 5

Five more ways “Harry Potter” helps us learn to discern: how did at least two Biblical saints handle actual bad stuff? And what about the “someone else used it to sin” objection, or “weaker brothers,” or personal preferences? · E. Stephen Burnett

Speculating About The Known

Last Friday, on my own blog I discussed truth in fiction. In part I looked at an article by Travis Prinzi at the Rabbit Room (where Andrew Peterson, Pete Peterson, Jonathan Rogers, and others interested in speculative fiction also hang […] · Rebecca LuElla Miller

‘Harry Potter’ and The Issues Beyond Fiction, Part 4

Another lesson learned from “Harry Potter” discernment: might some Christians only be on alert against bad Things like imaginary “magic,” while practicing their own favorite subtle methods of mysticism supposedly to keep life under control or avoid sin? · E. Stephen Burnett

The Struggle: Whom Do You Trust?

Bruce Hennigan, author of “The 13th Demon,” explores the perils of self-publishing versus traditional publishing, with help from friend and fellow author A.S. Peterson, author of “The Fiddler’s Gun” and “The Fiddler’s Green.” · Bruce Hennigan
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