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148. Why Do Some Christians Revile ‘The Chosen’? | with Josiah DeGraaf and Jenneth Dyck
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148. Why Do Some Christians Revile ‘The Chosen’? | with Josiah DeGraaf and Jenneth Dyck
Fantastical Truth, Feb 7, 2023

147. Why Can Christians Celebrate Stories about Merlin and King Arthur? | with Robert Treskillard
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146. How Did Animators Adapt The Wingfeather Saga For Streaming TV? | with Keith Lango
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145. How Did Edmund Spenser’s ‘The Faerie Queene’ Shape Christian Fantasy? | with Rebecca K. Reynolds
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Lorehaven helps Christian fans explore fantastical stories for Christ’s glory: fantasy, science fiction, and beyond. Articles, the library, reviews, podcasts, gifts, and the Lorehaven Guild community help fans discern and enjoy the best Christian-made fantastical stories, applying their meanings to the real world Jesus Christ calls us to serve. Subscribe free to get any updates you choose and to access the Lorehaven Guild.
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The Worthless World

Stories that are cynical about the world present either a world without heroes, or a world that doesn’t deserve heroes.
Shannon McDermott on Apr 11, 2018
3 comments

Stories that are at their core cynical about the world present two different visions. The first is a vision of a world without heroes. The second is a vision of a world that doesn’t deserve heroes. These visions may easily be combined and sometimes are, but each can and does go alone, too. Together or alone, they weave an inescapable cynicism into the fabric of their stories.

I thought of that last weekend, prompted by the new season of A Series of Unfortunate Events. (Flash review: The good news is that they remedy some of the flaws of the first season; the bad news is that they replace them with new flaws.) Once doomed to unfortunate events by the malignancy and incompetence of individuals, the Baudelaires are now doomed to unfortunate events by the malignancy and incompetence of institutions. Every pillar of society crumbles when the children try to lean on it: the school, the law, the government, the free press.

It’s not that the institutions are broken. It’s that people are so stupid and savage, and nothing is worse than a crowd of them. A whole town melts into a ruthless mob; an entire hospital’s staff can evidently believe that decapitation is a legitimate medical operation (and be enthusiastic to see it); a circus show that advertises freaks being devoured by lions draws a crowd. In the middle of all this, we’re told that the heroes want to put out fires and the villains want to start them, but in the middle of all this, you have to think: The villains have a point. Lots of places end up burning down in this series, and it’s usually an improvement. Even for a show devoted to satire and absurdity, A Series of Unfortunate Events went too far, made too many people too stupid, too many people wicked, too many institutions worthless.

This is a mistake I’ve seen before. It looms particularly large in fantasy. This is partially because fantasy is by nature inclined to stories about saving the world, and such stories magnify the consequences of the error. When the hero saves the world, our sense of victory will be somewhat reduced if we privately feel that his efforts were perhaps wasted. We will still assent to the moral principle that villains ought not to burn down worlds, even if it’s an aesthetic improvement. But the purpose of stories is less to assent to truths and more to feel them.

Another reason the trope of the worthless world especially afflicts fantasy is that the most common inspiration for fantasy worlds is the Middle Ages. Many people evidently believe that the Middle Ages occurred before the invention of bright colors and were essentially the Black Plague interspersed with crusades. Such inspiration can curiously combine a lack of physical beauty (all the gray! brown! black! dirt and decay!) with a lack of moral beauty (oppression! corruption! superstition! ignorance! violence! everywhere!). When stories take us into such worlds, the stay is unpleasant. I think authors forget what a demoralizing effect the bleakness of their worlds has over their stories. Even genuine heroes can’t always counterbalance it.

Curiously enough, the cynicism of the worthless-world stories doesn’t always seem intended. In these stories, the heroes are truly heroic and a sense of morality prevails. But it’s not enough to have heroes who save the world. We need a world worth saving, too.

Shannon McDermott
Shannon McDermott is the author of the fantasy novel The Valley of Decision, as well as the futuristic The Last Heir and the Sons of Tryas series. To learn more about her and her work, visit her website, ShannonMcDermott.com.
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  1. Autumn Grayson says:
    April 11, 2018 at 1:07 pm

    The bleakness of the world thing can be a problem in fiction, though it can be a good thing too. One of the foundations of Christianity is that the world and humanity can’t be as it should without God. Yet people still think they can make things good enough on their own. Bleak stories can help people see why a purely humanistic approach isn’t good enough. As seen in stories like Fate Zero, for instance, people are excellent at messing things up even with the best intentions. It’s good to have hope and try anyway, as it is implied by the very last scene in that show, but the world will never be free of tragedy and human error. As Christians, this is an opportunity to show why God is important for making sense of all that.

    Reply
  2. Parker J Cole says:
    April 12, 2018 at 3:21 pm

    I love this! Thank you!

    Reply
  3. Marie says:
    April 12, 2018 at 9:17 pm

    This is so true. A world without hope is a world not worth my time to read or watch.

    Reply

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Lorehaven helps Christian fans explore fantastical stories for Christ’s glory: fantasy, science fiction, and beyond. Articles, the library, reviews, podcasts, gifts, and the Lorehaven Guild community help fans discern and enjoy the best Christian-made fantastical stories, applying their meanings to the real world Jesus Christ calls us to serve. Subscribe free to get any updates you choose and to access the Lorehaven Guild.
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