This very morning I re-read the end of The Lion, the Witch and the Wardrobe, and wept joyously like a child. It’s embarrassing, perhaps, but if so I could stand more of this sense.
As you’ll see in these final reading-group questions, this classic story’s finale includes what J.R.R. Tolkien called a “eucatastrophe.” This is the opposite of “catastrophe,” he said; in that a catastrophe brings sudden terrible horror out of goodness, but eucatastrophe brings, out of horror and defeat, great victory and eternal joy. Tolkien, of course, was a friend of Narnia author C.S. Lewis, and the two shared very Biblical and very truthful views of this concept.
I coined the word ‘eucatastrophe’: the sudden happy turn in a story which pierces you with a joy that brings tears (which I argued it is the highest function of fairy-stories to produce). And I was there led to the view that it produces its peculiar effect because it is a sudden glimpse of Truth, your whole nature chained in material cause and effect, the chain of death, feels a sudden relief as if a major limb out of joint had suddenly snapped back. It perceives – if the story has literary ‘truth’ on the second plane (….) – that this is indeed how things really do work in the Great World for which our nature is made. And I concluded by saying that the Resurrection was the greatest ‘eucatastrophe’ possible in the greatest Fairy Story – and produces that essential emotion: Christian joy which produces tears because it is qualitatively so like sorrow, because it comes from those places where Joy and Sorrow are at one, reconciled, as selfishness and altruism are lost in Love.
— Letter 89, from The Letters of J.R.R. Tolkien (quoted at TolkienGateway.net)
Even among the greatest stories, even among The Chronicles of Narnia, the finale of LWW is unique. Here are echoes of Resurrection, both of Aslan and of the Witch’s victims. Here is justice, then final victory, and celebration and feasting and joy. Yet here also is an echo of clear Godly truth: that at the end of this victory, Christ’s people will reign physically, over a physical kingdom, having been personally appointed by Him to reflect His glory in this way.
This first Narnia story not only “repeats” these truths, stating them directly or by parallel. It shows them. In the author’s descriptions, his glorying in “cutting loose” and letting great evil be overcome by greater good, and in his wonder of the victory and sights and sounds and scents, we sense this same victory will come to our world. We don’t merely believe it with our heads; we feel it with our hearts. And our desire increases.
Thus we don’t simply read stories like this one to “escape,” or to remind ourselves of Biblical truths in memorable ways. Instead we read them to feel God’s truths, to keep fighting, and to long for the New Heavens and New Earth.
Chapter 15: Deeper Magic from Before the Dawn of Time
- I hope no one who reads this book has been quite as miserable as Susan and Lucy were that night; but if you have been—if you’ve been up all night and cried till you have no more tears left in you—you will know that there comes in the end a sort of quietness. You feel as if nothing was ever going to happen again. (page 158) Is that true of you? If so, do you notice how well this helps us “connect” to the story and characters? What thinking might you guess the author needed to do, to make such observations and connections?
- The sky in the east was whitish by now and the stars were getting fainter—all except one very big one low down on the eastern horizon. (page 160) In our world, what star would that be? Why might it be significant? What name and mythology is associated with it?
- The Chronicles of Narnia are not direct allegory, but a “supposal.” As we’ve seen, that means it contains allegorical elements, but is not all allegory; Narnian “rules” will be similar to those of our world, yet different. With that in mind, it seems Aslan’s death, and some signs associated with it, echo Christ’s death and signs. So what do you think of the sun’s rising? The Stone Table cracking? Aslan’s body gone and the girls’ reactions?
- Aslan is raised by “more magic” (page 162). Christ was raised miraculously. Are they different? Is “magic” according to story-world “rules” similar to “miracles” in our world?
- Similarly, what is similar between the Deeper Magic and our world’s “magical” rules according to the Creator? Does it sound like the Deeper Magic would work every time it’s tried, or was established only for Aslan’s death? (Hint: the Stone Table’s sign.)
- How do you feel reading about the romp, Aslan’s mighty roar, and the ride on his back?
Chapter 16: What Happened About the Statues
- Aslan brings the stone statues to life. What Biblical truth seems to have inspired this?
- Answer: This is like resurrection, yet different in some ways. For example, Jesus raised people such as Lazarus to life, yet at some point Lazarus died again. Similarly, we can assume these creatures, such as Mr. Tumnus, will still die at some point. (Consider reading 1 Cor. 15: 35-58, and the whole chapter. This describes the future and final resurrection of God’s people to have spiritual [perfected] physical bodies as He does.)
- About that other talking lion — no other talking lions are mentioned throughout the series. Could it be significant that Aslan first “resurrects” a creature much like himself?
- Here with the Giant, we find out what it was like to have been turned into stone. Just like falling asleep and remembering nothing, the Giant implies (page 169). How is this similar to the “sting” of physical death in our world (1 Cor. 15:55)? How is it different?
- “If the Witch is to be finally defeated before bedtime we must find the battle at once.” (Aslan speaking, page 174) “Before bedtime,” he says. What seems clear from this?
- Soon all the dogs and lions and wolves … (page 175). Look! Good wolves in Narnia?
- Favorite creatures? Lions? Centaurs? Dogs? Satyrs? Dwarfs? Tree-girls? The Giant?
- What “music” do you hear while reading this scene, with resurrected creatures and shouts and celebration? What longings do these reinforce? How do these glorify God?
- What “music” do you hear at the final battle? What anticipation does this scene arouse?
Chapter 17: The Hunting of the White Stag
- In all this celebration, with certain victory (see Aslan’s “bedtime” statement earlier!) now realized with the battle’s end, why this moment to correct Lucy (page 179)?
- [Edmund was] not only healed of his wounds but looking better than [Lucy] had seen him look—oh, for ages; in fact ever since his first term at that horrid school which was where he had begun to go wrong. He had become his real old self again and could look you in the face. (page 180) Here, another factor for Edmund’s evil is said for the first time. Why might it be said here near the story’s end? Does this help explain or excuse Edmund?
- Do you believe Edmund ever learns what Aslan did for him? Why not tell him now?
- And oh, the cry of the seagulls! Have you heard it? Can you remember? (page 181). We have never been to Narnia, and (we might guess) Lewis never has, either. Yet he speaks of it this way. How does this also make us dream and long for such a place or a world?
- At last, Aslan crowns the four children kings and queens, and fulfills the prophecy. This is a famous ending of many fairy tales. Yet from which “fairy tale,” that is true Story, does this idea arise? Here’s a hint from author Randy Alcorn: “God never gave up His plan for us OR for earth. Romans 8 alone, even if we didn’t have countless other passages in the prophets and gospels and epistles, is emphatic on the fact that Christ’s redemptive work and the resurrection is not limited to us, but extends to the rest of His creation, which groans for the coming deliverance. As resurrected beings we will reign over a resurrected earth (with animals, culture, water, trees, fruit, buildings, etc.) with our resurrected Christ and each other for all eternity. As his stewards, and kings and queens under the King of Kings, we’ll never exhaust the wonders of a universe created by an infinitely fascinating God. And certainly we’ll never run out of things to do!”
- But amid all these rejoicings, Aslan himself quietly slipped away. (page 182) Why does he leave like this, without bidding goodbye or prophesying his next arrival? If you have read the rest of the Chronicles, compare this with the end of The Last Battle. Might it be a reminder that as wonderful as this story is, other battles and stories are yet to come? Might it remind us also that the absolute final victory-over-all-victories is still future?
- Mr. Beaver first says the famous words: “He’s wild, you know. Not like a tame lion.” (page 182) We’ve already seen Aslan show this (and we even saw him, for the first and last time, contrasted with a Narnian talking “tame lion”). How does this reflect Christ?
- Read the description of how the children as Kings and Queens ruled Narnia: … and generally stopped busybodies and interferers and encouraged ordinary people who wanted to live and let live (page 183). How does this reflect our longing for good King-appointed leadership in the world? How might this be especially poignant at elections?
- What is the White Stag? How does he figure in Celtic mythology, and even Christian medieval mythology? “In Celtic traditions, white stags represent messengers from the afterlife. Arthurian legend has it that the creature can never be caught — King Arthur’s pursuit of the animal represents mankind’s spiritual quest” (from a 2008 news article).
- Are you like me, when the Kings and Queens see the lamp-post and think they must go further? No! Don’t go or you’ll lose it all! Yet how does this “loss” strengthen the story and remind us that the greater story, both in Narnia and in reality, hasn’t yet ended?