Observations Of A Youngling: Biased Expectations

Intro I cut my teeth on  Frank Peretti and Francine River’s The Atonement Child at age 12. Anne of Green Gables, Mandie Mysteries,  and the Great Illustrated Classics novels were…just how I grew up.  What we call YA or middle […]
on Sep 15, 2010 · Off

Intro

I cut my teeth on  Frank Peretti and Francine River’s The Atonement Child at age 12. Anne of Green Gables, Mandie Mysteries,  and the Great Illustrated Classics novels were…just how I grew up.  What we call YA or middle grade, I probably was too old for by seventh grade. (I knew no distinction: A ‘kid’s book’ was a picture book or anything under 250 pages.) That 6th-9th grade period was a time when I was reading every book about the end times or spiritual warfare that I could find–most of it complete with exorcisms, conversions, and verse-quoting. This didn’t bother me. I’d developed a strange fascination with The Other World. You know, the world outside our natural sensory perception but no less real, no less tangible if made manifest to us.  I was convinced alien encounters were demon encounters and it didn’t bother me if characters preached or quoted Scripture for  pages and pages.  I could plough my way through “slow” plots and the idea of someone walking up to me and offering to lay hands on my head were, well, not that odd.

Those days of innocent youth long past. I didn’t know anything about CBA–I didn’t know CBA and ABA existed. Nor, I  think, would I have cared all that much. Well, I might have to the point of being annoyed at all the adults arguing over how spiritual something was, or whether a swear word should be there, or whether it was “Christian enough” (whatever that means).

I got my first rejection letter at 11 or 12, I think: a fifteen-page short story neatly placed in a mailing envelope and mailed to the publisher’s house listed on the back of one of my beloved books with $3.50 in pocket change (coins and ones) for shipping and handling.

I started reading Star Wars sometime in high school. I read The Golden Compass as either a fifth or sixth grader and, honestly, found the whole daemon thing interesting but was otherwise a bit lost on the plot of the whole thing.  (This was before the movie brought up all the controversy, so you know. Over a decade ago.) My first Ted Dekker novel was Heaven’s Wager, shortly after my high school graduation.   My final semester of college I picked up Dean Koontz’s  Frankenstein books because, well, the concept intrigued me.

The world opened to me in college. I discovered I like Solzhenitsyn, Achebe, and Wilde; and that I don’t care so much for British poets who were high on opium when they wrote their ‘masterpieces.’ Something else happened, though. I discovered I like swashbuckling pirate stories, dragons (especially good dragons!) and knights, warriors and shield maidens (I did not know Lord of the Rings or Tolkien existed until the first movie started getting everyone hyped up, and then I had to go read them before seeing the movies). Faeries, shapeshifters, trolls, half-dragon people, o’rants, emerlindians, doneels, gladiators, kings, and epic tales, retellings of Greek myths and Celtic lore.

Yeah…I turned into a speculative fiction fan long before I discovered the word existed.  I was writing it all along, because it was easy for me, but I absolutely refused to call it that, to the point that my friends would tease me because there was no way around calling a story about a world that doesn’t exist “fantasy.”

I was such a snob. An innocent one, but a snob.

Expectation

I’m telling you all of this by way of introduction, so the rest of this makes sense.  I’ll be posting every other Wednesday, and I’ve been asked to discuss the whole CBA thing, some of the recurring debates and themes, and  how our biases can color our perspective. But for that to all make sense, keep a few things in mind:

  • I once didn’t like fantasy
  • I grew up in a Christian home in church at a Christian school, and to this day most of the authors I read are Christians unless they’re recommended to me
  • My entire paradigm on the arts–at least on books–shifted (or, more precisely, formed, in college)
  • I used to find “the line” by standing on it (and admitted it)
  • I’m pretty sure I had mastered third person omniscient as a teenager, before I had it beaten out of me
  • I was a “seat of the pants” writer to the Nth degree until someone made me learn how to storyboard
  • I am a church brat

Okay, now that that’s all out of the way.  These days, I wouldn’t headhop if my life depended on it, and God forbid anyone use cutesy fake swear words, pray, go into lengthy exposition, or–worst of all–talk to their opponent while fighting (insert weeping and gnashing of teeth here). You know, God forbid a Christian character actually quote Scripture while  consoling a friend. God forbid a character sink into “why did God let this happen?” and “why are all these bad things happening to me?” (okay, I’m still going to throw things and grind my teeth if that happens).  You get the idea.

I think it was my first year out of college that I really noticed my change in  bias. I remember reading a Tozer book borrowed from Mom and was frustrated that I had such a struggle over the older language. (Remember, I grew up on King James;  reading dense literature with a vast vocabulary may have been challenging, but my parents are readers, I’m a reader, and my parents weren’t really in the habit of talking down to my sister and I, so, even as a child, I was unphased by having to stop and figure out a word, either by context, my parents, or the dictionary.)

Yes, a college education later, and I was getting frustrated over 20th Century English.

I remember reading for a book review in college and being frustrated by the slower pace. There wasn’t much happening. I could not slow down and digest the book.  Maybe my brain was just fried from everything I had to read as an English Lit major for class, but I really had to work my way through it.

Mostly I read suspense, mystery, and now the fantasy (mostly YA with a little adult).  Mostly, I want to be on the edge of my seat, breathless and fussing at characters and staying up far too late into the next morning for my trouble. I love suspense. For me, the time between purchasing Christmas presents and Christmas Eve (yeah, mine starts early) is just as wonderful as actually opening the present.
I used to be able to sit perfectly still for hours at a time.  I didn’t have a phone or use the internet till college, and I didn’t really need it or care.  I still can’t read off a screen very well. I used to write by hand. Now, I’m quite happy my brand-new, three-weeks-old-by-the-time-this-posts iPhone will email my notes so I can copy onto my laptop.  Now I can’t stay in the house more than two or three days at a time before I will do anything to get out. I can barely watch more than an hour of TV at a time.

Funny, that is.

My point: Some books are steak and potatoes for the brain. Others are pretty much popcorn and M&Ms–good, but not sustaining.  And either you want the steak and potatoes, or you want the popcorn and chocolate. Or pizza.

You know, as readers we develop biases (and it gets worse when you start getting serious as a writer–far worse). We know what we like and how we like it; and that’s the way it’s going to be. Some won’t touch a book if it has a single swear word; others won’t touch the book if it doesn’t. Some people like  the conversion arcs and exorcisms and theology  lessons. Others don’t. Some people don’t mind violence, but if characters so much as hold hands they’re going to flip. Or vice versa.

I’ll be perfectly honest: Sometimes, I want my steak. Other times, pass the Reese’s.

I got to thinking about all this while reading a historical romance novel –not normally something I’d touch. I’ll read anything else: Westerns, historical, speculative,  adventure, “literary,” mystery, suspense . . . But, please, for the love of all things holy, profane, and in between…no romance.

Sometimes, though, stories surprise you. If you never read beyond your own bias, then you miss out on an entire spectrum of books.  You’ll find  yourself appreciative, if nothing else. Getting outside a suspense novel lets you experience other emotions besides fear and weightiness. Getting outside fantasy, at least for me, forces you to back away from the crutch of superpowers and the distance of non-existent lands. Sometimes, a book with a lipstick tube on the cover turns out to be a fun, witty, calculated look at  women’s roles and female pastors (without the stereotypes and caricatures, to boot).

One thing I keep hearing other writers insist is that they’ve got to fight the rut, the formula. A bias, such as never reading X type of book, or refusing to do or write Y, or allow Z, is to, in some ways, cripple the writer’s abilities. You’ll eventually bore yourself, or, worse, your reader, and eventually you’ll fall into a formula because it’s comfortable.

Too often in these CBA/ABA debates (which sound so, so, so much like church fights it gives me a tick and bad flashbacks) I see the same basic biases: Either  in favor of a generic,  “everything goes” with absolutely no patience for the verse-quoting country boy preacher (yeah, you know what I mean) or the little Christian housewife who daily instructs her children to “Do the Lord’s will” and praise only for tattooed, beer-downing, blue-streaking, prickly old rednecks ; or in favor of crew-cut choir boys who wouldn’t know temptation if it bit them in the nose and absolutely no quarter for so much as the word “darn.” (How “Lordy” makes the cut, I’m never quite sure.)

My, my, this is so familiar to me.

Biases. They’re wicked, no matter which way you slice them. Jesus said so.

So, sometimes, I watch a chick-flick. Or read its novel equivalent.

Sometimes, I read a book a decade under my reading level. For fun.

Sometimes, I take a chance on the “secular” book.

Other times, I dare return to the “preachy white-washed tomb”  fiction.

But I’ll tell you what the bias does: It colors my expectations. It’s really hard to appreciate a gentle-paced, narrative-rich, inner-monologue driven book where  the bulk of the plot deals with internal demons instead of external, and where a priest may well just launch into a three page Passover speech, much to the chagrin of an impatient reader.  Or the most harrowing event in the book is a close call with a school bully.

Really.

False Expectation

I’ll get to my over-all thoughts on the whole CBA squabble, but first I think it good to explore the biases we’re bringing to the table. I remember I once grew infuriated with a woman who completely freaked out because she writes inspirational stories, and here she is reading my dystopian sci-fi world where one character is insane and the other is freaking out because she’s worried he’ll get suicidal again and can’t find her keys–there it is. The female character says, “Keys, where are my Godforsaken keys?”

It’s the middle of the night. She thinks her friend is suicidal. He’s tried before. He hung up before, too. She’s terrified.

And this inspirational-story writer completely freaked out because I said the crazy male character swore (he thought he was covered in blood, but it was wine) and the worried woman said “godforsaken keys.”

In all caps, the woman wrote to me, “GUESS THIS ISN’T AN INSPY!!!!”

I’m glad she noticed. That all happened in one chapter. About five pages.  But there you have it: Her bias led her to assume a genre, and to assume how characters within a genre would react.

It’s just like me and chick-flicks: Eye-rolls every time the “hot other” is mentioned.

The End of the Beginning
So there you go: I’m a spec-fic writer. And I read all the frustrations. I understand them. But look at history: People were racially, socially, or economically biased based on their own perceptions of the world. In some respects, all sides could use a perspective change.

I think it’s a little biased to assume all CBA has some conspiracy going. Honestly, in the end, I think CBA publishers are businessmen first.  And yeah, I think some things definitely need to go by the wayside because those things should never have crept in to begin with.

But I also think the disgruntled fantasy writer who can’t get published because of the evil CBA people who can’t get a clue are, well, equally biased and equally a bit crazy. Hear me out here: I get the frustration.  I’ve been  there. But, honestly, other than one or two small things, I really haven’t had any trouble. And coming out with both arms swinging is going to get you nothing but the brawl you came in for. Remember those Westerns?  Yeah. Cowboys get in fights because they go looking for them.  If they wanted to settle it without gun-slinging, they would.

Plus, it’s unbecoming. Remember those church people who do nothing but complain but don’t lift a finger to help change “the system”?

Those people.

Okay, so I know that’s not everyone. Bias runs both ways, though. Bias mocks “Amish fiction” (whatever that strange term is that I’ve only in the last year learned) instead of focusing on priming your own genre.  Bias criticizes the faults of romance novels without scrutinizing the limitations of a suspense novel or the potential crutch fantasy can become (more on that another day).  Bias insists superiority because “Well, I don’t do that!”

No, you don’t.

But maybe you rely too much on the supernatural (my bane). Or too much on that magnificent twist at the end. Or the ease of a Three-Act whodunit.  The terror and darkness that overwhelms horror.

Or maybe your characters just talk too much.

Here’s the thing: It’s bad form to come into a spec-fic book and expect, well, ordinary things. It’s probably bad form to expect a romance novel to focus so much on the war going on in the backdrop. And it’s probably too much to expect “Amish” to have tattooed, beer-guzzling, sailor-talking swashbucklers (maybe pitchfork-wielders). Just sayin’. There’s a reason they tell you to know your own genre. But know the others, too.

The thing is, we make fun of rich people who “don’t get” people who actually have to work for a living, and we make fun of backwoods rednecks who still think the Civil Rights Movement didn’t happen, but the truth is, the same deserved mockery applies in fiction.

A historical, literary, “Amish,” or romance type novel is simply not going to be fast-paced and action oriented. It’s just not. By raising false expectations, you just set yourself up to hate the book. And it may be excellently written, but you’ll still hate it. “Mind-blowing” and “thriller” just don’t describe these books. It’s silly to expect them to.

And it’s silly to assume that everyone likes the same books. We don’t.  Spec-fic is, for the most part, considered occultic or geekdom (at least in my experience): unsophisticated and probably a bit adolescent, like Star Trek junkies. If that’s going to change,  we have to be more than geeks.

I guess this horse is dead, but I think, on some level, people are attracted when they see you’re not bound by your own bias.  My friend who doesn’t like fantasy will read mine because, according to him, I don’t do all the things fantasy writers are notorious for. My mother reads Karen Hancock, Sharon Hinck, and  D. Barkley Briggs’ The Book of Names because I swore up and down she’d love them (she’s suddenly on a Koontz phase, ironically enough).  And I was right. (I still read all my fantasy books first, just to make sure she’ll like it.)

You know these stories: Rich guy wants to change his bias against the working class, he’s got to get among the working class. A king wants to know his people, he disguises himself as a servant. A Christian wants to stay in touch with the world, he must be in the world.  A writer wants to keep some sense of reality, he must occasionally put down his pen or keyboard.

Yeah, a mile in their shoes, right?

I know, it feels all one-sided. But, like my dad drilled into my head, “If nothing changes, nothing changes.”  The only way a prejudice changes is to break through it.

To Published & Beyond – One Author’s Voyage Pt. 4

When we last left off, it had been six years since I started writing Starfire. I had learned a great deal more about the writing industry and the writing craft. And while my writing garnered me praise from my peers, […]
on Sep 14, 2010 · Off

When we last left off, it had been six years since I started writing Starfire. I had learned a great deal more about the writing industry and the writing craft. And while my writing garnered me praise from my peers, there was no place for it to live. The industry was also coming into the age of practically requiring an agent for submission. By this time I’d already gone through the gamut of publishers who seemed somewhat friendly to the stranger genres of fiction.

So by the year 2007 I was uncertain as to what to do with my writing, or if I even wanted to continue.  I turned my focus to other things (like getting married) and walked away from my involvement in the writing world.

I had grown jaded with the circular arguments about why publishers were ignoring the obvious desire for fantasy and to a lesser extent science fiction in the markets. I had spent years trying to break through only to hit dead walls because my stories were in the wrong genres.  In short, I was tired of it all.

If it wasn’t for the fact that I married an author (Tiffany Amber Stockton), I may have very well ended my writing journey there. But my new wife wasn’t ready to let me give up on myself just yet. And by the summer of 2008 she encouraged me to submit Starfire to a new publisher on the scene… Marcher Lord Press.

I filled out the online form and sent off my manuscript as a final test. If a publisher solely dedicated to publishing science fiction and fantasy and everything weird turned down my novel, then I’d take that as a sign that it was time to move on and let go of my writing dreams.

Was this all overly-melodromatic?  Probably. And I don’t know if I would have walked away forever. But thankfully we’ll always just have to wonder about what might have happened, as in the fall of 2008 my writing life would take a new drastic turn that hinged on six words….”Want to be a Marcher Lord?

Changes In The Writing Industry – Ray Gun Revival

Newspapers have downsized, magazines have folded, publishing houses have laid off staff, and the overall climate in the writing industry seems to be one of uncertainty. Yes, the economy is partly responsible, but another significant part of this unsettled tenor […]
on Sep 13, 2010 · Off

Newspapers have downsized, magazines have folded, publishing houses have laid off staff, and the overall climate in the writing industry seems to be one of uncertainty. Yes, the economy is partly responsible, but another significant part of this unsettled tenor is the growth and development of digital reading.

Consequently, it was with a great deal of surprise that I learned of the changes taking place in one of the small Christian publishing houses, Double-edged Publishing.

DEP, founded by Bill Snodgrass, was the parent company of such ezines featuring speculative fiction as The Sword Review and DKA (Dragons, Knights, and Angels)—which later merged to become Mindflights—Ray Gun Revival, and Fear and Trembling. Recently, however, Bill decided on a career change and DEP passed into the hands of someone who does not have the same vision for the online magazines.

Where does that leave these orphaned entities? Without the managerial and financial support of the parent company, each must answer that question individually.

Just last week the final issue, number fifty-seven, of Ray Gun Revival produced by DEP, released. In the editorial by self-styled Overlord and chief cook and bottle washer, Johne Cook addressed the future of RGR. The following is excerpted from that article and reproduced here by permission:

So what is RGR going to do? We’ve gone back and forth. We were definitely going to go forward on our own, and then were definitely going to fold. I am happy to report that we have reconsidered that stance. It is simply too much fun being an Overlord. So here’s what we’re going to do. We have set up the normal social networking presences: we’re “rgrzine” on Twitter and Gmail, and we have an RGR group on Facebook. We’ll probably switch that over [to] an RGR page. We’re going to be an HTML-based zine. We’re planning on going 4the-luv at this point instead of looking for advertising or subscriptions for the simple reason that it’s easier that way. We don’t have to worry about collecting or paying money, and we don’t have to worry about reporting anything. We’ve run RGR pretty lean and mean so far, and we’re going to be even more stripped down after this.

As of right now, submissions are back open for RGR. Please send your subs (for now) to rgrzine@gmail.com with [sub] somewhere in the subject line, (such as [sub] Your Famous Story).

Here’s the thing: we’re hoping to publish something every month, but we may not publish many things. It is my hope that by being on a WordPress-like engine, we can set our new stories to publish on the 1st of the month, and the old stories will roll off into the Archive. Having a consistent publication schedule will be a big plus. So the future looks inviting and secure.

I think this is good news for those speculative readers who love sci fi space-opera. For those of you unfamiliar with RGR, I suggest you take a look at the fine work they produced over the last four years. My guess is, even the future lean-and-mean version will be well worth the read.

Guest Post By Author Eric Reinhold, Part 2

Today, we’re continuing a post by Eric Reinhold, actually a transposition of Eric’s answers in an earlier interview. * * * God works things out in his own time and in hindsight it’s fun to look back and see how […]
on Sep 10, 2010 · 10 comments

Today, we’re continuing a post by Eric Reinhold, actually a transposition of Eric’s answers in an earlier interview.
* * *

Eric and cast members playing the parts of Terell Peterson, Drake Dunfellow, Liddy Thomas, and Ryann Watters

God works things out in his own time and in hindsight it’s fun to look back and see how and, sometimes, why. I outlined the twenty chapters in book one of The Annals of Aeliana back in 2000 and wrote half the book over that year, then during the week of 9-11, I came down with a fever which ended up being a bacterial infection in my heart.

Fortunately, God used that to reveal a much bigger issue – a congenital heart defect, which resulted in my heart enlarging. I was on IV’s for a month, with a port sticking out of my chest, and then had to go in for open-heart surgery to replace the defective valve. My health issues, coupled with starting my own business and raising a family, caused me to put my book on the shelf, and I really never picked it back up until 2007. When I did, it was with a renewed determination to finish what I had set out to do.

Between big changes in stores and schools closing and opening in Mount Dora, I made some rewrites, finished the book and then God opened an avenue for publication. A fellow author friend of mine was rejected two hundred times by publishers, over seven years, trying to get his first book published. It took me seven years, but only one submission to get published. While I was building my financial planning practice from 2000 – 2007, one of my clients ended up being the president of a publishing company. When I was done going over some investment issues at a breakfast meeting one morning, I then said, “By the way, I’ve written a children’s fantasy story…”

My “little” girls, who I originally wrote for, are now a senior and a sophomore in high school and my son, Kyler, is in the seventh grade. They all attend Orangewood Christian School and are doing very well. My daughter Kaylyn hopes to attend Berry College in Rome, GA, next year and is interested in event planning. My daughter Kara is an excellent swimmer and is working hard to make the state finals this year. My son Kyler is involved with Boy Scouts and all three are excelling in school. They get that from their mother, my wife and high school sweetheart, Kim.

TYG Studios, based in Malabar, FL is producing the movie. Kerry Fink (producer) and his wife Tammy homeschool their children. A few years ago their children had done book reports on Ryann Watters and the King’s Sword. Recently, when Kerry and Mike Germaine (director) were reviewing scripts for a potential movie, Kerry remembered my book and inquired as to whether it had ever been made into a movie script. It just so happens it had. After book one was published in 2008, a friend of mine from high school, Jenni Gold of Gold Pictures in LA, wanted to adapt the book for a movie. Kerry and Mike loved the script, I made some changes, adding a few scenes and modifying others, and the rest is recent history.

The movie is based only upon book one, which is the easiest to adapt since a significant portion takes place in Mount Dora versus the fantasy world of Aeliana. Book Two, Ryann Watters and the Shield of Faith, has yet to be converted into a script. I am currently working on book three, Ryann Watters and the Belt of Truth.

My agent is looking for a new publisher and has interest from six. Whoever we choose would print books one and two in paperback and then the plan would be to have book three out in conjunction with the movie next summer.

I had always planned for seven books in the series, but when book one took seven years to get published, a cynic told me that I wouldn’t finish until I was well into my nineties (laughs). Book two is twice as long and took one year, so I think I’m back on track for seven, especially if King’s Sword gains a larger readership from the movie. I know TYG Studios’ goal is to make the best movie they can so that there will be a great deal of interest to make Shield of Faith into a movie as well. With all the action in book two—dragons, unicorns, Pegasus and more—it will take a much bigger budget to get it on the big screen.

Filming before a green screen

Filming in a real town makes the story more believable. For example, while the wizardry of Harry Potter is cool, the fact remains that wizards, witches, and magic aren’t real, and millions of dollars have to be spent to recreate that world at Universal Studios. With Mount Dora you have a real town and a storyline based on real rural American kids, but also angels and demons, which are very real as well. It’s much more relatable, with a great deal of promise for millions to come to Mount Dora for a visit to the movie setting. For TYG Studios, the more that can be shot on location versus against the green screen, the more cost effective it is and the more cinematic the scenes can be.

I began writing the book back in 2000 and to see things I envisioned, then wrote, come to life was amazing. The four main actors who play Ryann, Terell, Liddy and Drake are perfect for their parts. One of the reasons I like working with a small studio, like TYG, is that I am involved every step of the way. I am in constant contact with the director, and we discuss each scene and possible variations to make the story better. When the producer contacted me saying Erin Bethea (Fireproof and Facing the Giants) wanted to make a cameo appearance, I actually wrote a scene for her as Liddy’s mother, which is not in the book or original script. It was encouraging to see it work so well at The Garden Gate Tea Room. It provided an opportunity to display Liddy’s (and Taylor Boswell as the actress) softer side and set up the scene which followed.

My greatest hope is that kids would enjoy the story-line and action, that they could picture themselves as being one of the three main characters and that they would be impacted in a positive way by the positive moral message and values incorporated in the story. For parents, I hope they will appreciate a book series, where they don’t have to worry about the content, but can embrace and talk about the lessons learned by each character in the story. Would I like the name Ryann Watters to be a household name (smiles)? You can always dream! Ten years ago, no one knew who Harry Potter was.

Learning From Bad Books, Part 1

“The whole world is turning into scrambled eggs.” Larry marched to the window. […] Jimmy pointed out the window. “Do you notice something strange? Several cars have driven off the road and been abandoned there on Pacific Coast Highway and […]
on Sep 9, 2010 · Off

“The whole world is turning into scrambled eggs.” Larry marched to the window.

[…] Jimmy pointed out the window. “Do you notice something strange? Several cars have driven off the road and been abandoned there on Pacific Coast Highway and Avocado, causing several fender benders.”

Those are actual quotes from a certain end-times novel from last decade (pages 47 and 48). The Rapture has just happened. And as if it weren’t already difficult to make people vanishing believable (especially if you’re an amillennialist Christian) — “dialogue” like this doesn’t help.

And no, this is not from the Left Behind series. Despite their flaws, they were certainly not like this. Instead I’m quoting from an earlier, more forgettable book called The Third Millennium.

Everyone’s read bad fiction. But I might submit TTM to a competition for the worst.

I don’t even recall when I read it — late 1990s, perhaps? But it was the first truly bad book I had ever read. At that time I had so far avoided truly horrible books, so it was surprising to me that this book could have been published. I’d hardly begun trying to write novels myself, and by then had read very few novels — yet even I knew the absurdity of a line like this:

“Can you believe that we have just lived through the greatest earthquake in history as easily as a robin sitting on her nest in a spring shower?” (page 186)

If you haven’t had enough, I have more. So did the author(s), in two sequels. Yes, I went on to read them. Portraying a literal thousand-year peaceful reign of Christ and Jews on Earth just doesn’t seem realistic when you’re claiming that “McDavid’s” restaurants are plentiful. Only instead of Big Macs and fries, they serve Kosher beef.

… Yeah. I wish I actually had that book so I could quote the part, but I remember it — vividly.

So knowing the first book was not that great, why did I read the sequels?

Easy reason, which I think I can defend: it was a learning experience. As a new writer, I began to wonder why this book was so bad. I knew it was, but what were the reasons? That began a quest not only to find and read good books, and learn (even subconsciously) what makes a gripping, well-written story, but also to read and diagnose the hideously bad books.

Perhaps this is like studying Scripture. It’s far better to read God’s specifically revealed truth and grow that way. But occasionally it may also help to pick up an un-Biblical book (whether it’s by a professing Christian or not) and learn what untruths are out there. Two benefits may result:

  • While learning the right ways, you add more-specific knowledge about the wrong ways;
  • The right ways — God’s truth — seem all the more glorious by contrast.

Similarly, I may have groaned my way through these three rather awful end-times books, but then had my mourning turn to dancing (and frequent repetition of the most hilarious quotes). But I’ve also learned more about what to avoid in my own fiction-writing. Good books also seem even greater by contrast. And paradoxically one may develop a greater sense of optimism: not in thinking most books are wonderful, but at least in knowing books as bad as this are very rare.

Or perhaps you disagree? For you, perhaps most fiction you’ve read seems to contain quotes and elements that are just as bad as the ones I’ve described?

Again, were I a gambling man I’d still put money on The Third Millennium and its sequels as among of the worst of poor fiction (for reasons that, I’ll argue later, are not entirely the authors’ fault). Perhaps we shouldn’t hear or laugh about bad fiction, if that could turn into an attack-the-author session. But I think one can critique a poor fiction work with affection, and even humor, without also attacking personalities, or disagreeing too vehemently over favorite books.

Meanwhile, over the next several columns, I’ll be sharing at least five lessons I’ve learned from reading bad books — whose errors we may hope never to repeat.

(Next week: how might Big-Name Authors often violate their own vocations?)

Who Am I?

Don’t worry, this isn’t going to be one of those angsty metaphysical posts. I just thought that, since I’m going to be posting here every other Wednesday, some of you might like to know who I am. Ahem. Hi, I’m […]
on Sep 8, 2010 · Off

Don’t worry, this isn’t going to be one of those angsty metaphysical posts. I just thought that, since I’m going to be posting here every other Wednesday, some of you might like to know who I am.

Ahem. Hi, I’m Rachel. I love God, I love words, I love people to the best of my ability, and I have a long-standing relationship with speculative fiction. Sometimes it seems to me that I have been spinning stories of the fantasy variety since I came forth from my mother’s womb, but the truth is probably more that I’ve been doing it since my dad first read The Chronicles of Narnia to my sisters and I when we were very young. (He also read us  a lot of poetry by A.A. Milne . . . I can’t help it if certain phrases stick!)

Over the years speculative fiction has done a lot for me. It has given me a place of escape when I needed that place (a shelter in the storm, if you will). It’s renewed my courage and sometimes restored my innocence. It’s helped me feel longing and see the righteousness of God with greater clarity. It has even, by the grace of God, strengthened my relationship with Him.

All of that is why I’m here, why I care about what spec-fic authors are writing these days, and why I want to help those authors be read.

It’s also why I write.  I have the great fun and privilege of making a living through words — I’m a freelance writer, editor, and writing coach, and I’ve independently published six (soon to be seven) books. My favourites of these are a fantasy trilogy called The Seventh World Trilogy, which you can explore here.

On the “Apologetic” page of that site, I wrote,

There is a chance that when readers escape into a speculative world designed by someone who is immersed in truth and relationship with God, they might just experience truth or encounter God in a way they have not done before — in a way they can bring back out into the “real world” to make an objective difference. Aslan has truly deepened readers’ worship of Jesus. Middle-Earth has really made us long for heaven.

No fiction is real. But all fiction can help us encounter and understand what is real in ourselves and in God and in the world around us. Speculative fiction, because it takes us into worlds so very different from our own, does this particularly well.

And that is why I — we — write it.

Thanks for bringing me on board. I’m looking forward to many more posts, discussions, and world-bending books.

To Published & Beyond – One Author’s Voyage Pt. 3

The years of 2002 through 2006 were great years for my writing journey. I was still fresh and full of hope. I got plugged into critique groups that helped provide encouragement as well as good suggestions on how to tighten […]
on Sep 7, 2010 · Off

The years of 2002 through 2006 were great years for my writing journey. I was still fresh and full of hope. I got plugged into critique groups that helped provide encouragement as well as good suggestions on how to tighten up my craft. I even managed to get the first few pages through a “thick-skinned critique” with Jerry Jenkins in 2003 at my second Writing for the Soul conference.

I wrote the final words of Starfire in 2005, just before my second American Christian Fiction Writers conference (technically this was the first, as the year before they were still the American Christian Romance Writers). I went to that year’s conference with both barrels loaded, confident in my writing and my story. There was even a small, but growing market of Christian fantasy novels in bookstores. Surely there would be a place for me.

Strangely enough, it turns out publishers didn’t really want to take a risk on a book starring sentient alien dinosaurs. That’s when I began understanding that there’s more to this business than writing the best story you can. You have to make sure there’s someone out there willing to take a risk on that story. And back then, there really wasn’t anyplace set up for the kind of risk-taking that my novel called for.

I knew enough to know that while Starfire was the start of the story I really wanted to tell, I probably needed to break into the market with something safer. So I started writing a fantasy, after all they were selling, right?  Though this fantasy starred a dragon-slayer cursed with the memories of a dragon eh slew, a sentient jack-a-lope that is forgotten as soon as you lose sight of him, and a buffalo-minotaur shaman style character.  Not exactly typical for the CBA market.

I also tried a YA comedic space opera staring a telekinetic slug, a stick-man (the kind kids draw, not one made of sticks) and a bubble.  That didn’t exactly work all that well either.

By the time 2006 ended, my dream of ever being published with the stories I loved to tell was all but dead.

The 2010 Clive Staples Award Winner

Nineteen nominations. Thirty days of voting. One winner. After deleting ineligible ballots and ones that did not adhere to the instructions, I can now reveal the 2010 Clive Staples Award winner. Since no nomination had a majority of first place […]
on Sep 6, 2010 · Off

Nineteen nominations.

Thirty days of voting.

One winner.

After deleting ineligible ballots and ones that did not adhere to the instructions, I can now reveal the 2010 Clive Staples Award winner. Since no nomination had a majority of first place votes, I took into consideration the choices for second and third place.

The leading novel finished with 33% of the first place votes, 12% of the second place votes, and 5% of the third place votes, meaning that this book received votes on 50% of the ballots.

The nearest other nomination received votes on 38% of the ballots.

Here are the top five books readers participating in the 2010 CSA—Readers Choice selected as the best:

Number 5, Lunatic by Ted Dekker and Kaci Hill (Thomas Nelson). Learn more about this novel from the CSA introduction.

Number 4, By Darkness Hid by Jill Williamson (Marcher Lord Press). See the CSA intro for details about this Christy Award winning novel.

Number 3, Curse of the Spider King by Wayne Thomas Batson and Christopher Hopper (Thomas Nelson). Story summary, links to reviews, interviews, and more available in the CSA Introductory post.

Number 2, Vanishing Sculptor by Donita K Paul (WaterBrook/Multnomah).
Genre.
Young adult/adult Christian fantasy

Description.
Book 1, Dragons of Chiril
Tipper is a young emerlindian who’s responsible for the upkeep of her family’s estate during her sculptor father’s absence. Tipper soon discovers that her actions have unbalanced the whole foundation of her world, and she must act quickly to undo the calamitous threat. But how can she save her father and her world on her own?

The task is too huge for one person, so she gathers the help of some unlikely companions–including the nearly five-foot tall parrot Beccaroon–and eventually witnesses the loving care and miraculous resources of Wulder.

Join new characters and old friends in a fantasy that inhabits the same world as the DragonKeeper Chronicles, but in a different country and an earlier time, where the people know nothing of Wulder or Paladin.

What others are saying:

Something original. Does not happen often in the genre of fantasy fiction. However, The Vanishing Sculptor by Donita K. Paul manages to take the idea of “something old, something new” to a whole new level. From the tip of a tumanhofer’s tongue to the feet of an aged emerlindian’s throne, this epic adventure of self-discovery simply challenges the reader to do what makes reading the best form of entertainment: use the imagination. Not since the days of my youth has a novel moved and inspired me in such a mysterious manner. At thirty-four, I became fifteen again, rediscovering emotions and excitement I had not felt since first reading books like Tolkien’s The Hobbit, Richard A. Knaak’s The Legend of Huma, and The Lion, the Witch, and the Wardrobe by C.S. Lewis.

– J.R. Seus, reviewed at Christianbook.com

Learn more at the Vanishing Sculptor introduction.

NUMBER 1, the 2010 CSA Readers’ Choice Winner – Bones of Makaidos by Bryan Davis (Living Ink/AMG Publishers).

Genre.
Young adult Christian contemporary fantasy/supernatural suspense

Description.
As the fiery wall of Abraham dies away, the people of Second Eden wait for the coming war. Giants and dragons will soon break through the barrier and attack, powered by the hatred they have stored up for four years. Although they have prepared for the onslaught, a spy has come among them, one who learns their weaknesses.

Meanwhile, Bonnie, Shiloh, and Sapphira leave their protective hideout deep in the heart of Hades. Equipped with a new secret weapon, they are now ready to join Billy, Walter, Ashley and the others in second Eden to help them and the good dragons fight the invading army.

As the battle rages, a new helper arises, the only one who knows how to use Bonnie’s secret weapon, but the spy is ready to destroy him the moment he arrives. And with Devin the dragon slayer in their midst, proving that more evil forces have descended upon their world, the people of New Eden don’t know whom to trust.
– from Christianbook.com

What others are saying:
From the time that Billy Bannister and Bonnie Silver fled the dragon slayer in the Dragons In Our Midst books, I fell in love with this series. Bryan Davis captures the wonder of discovery and teaches biblical truths along the way. The Bones of Makaidos ended the story of Billy and Bonnie in a way that I found completely satisfying. I loved the character Abaddon. Bryan Davis has a knack for powerful dialogue that teaches truth without ‘preaching’ to the reader. If you have not read his series . . . you are missing out on a great tale!
– Scott Appleton, Flaming Pen Press

Learn More
Read or listen to interviews with Bryan Davis at Blog Talk Interview, Incredibooks, Write Big, Yodeling Dwarf, 4 the Love of Books.
Read reviews of The Bones of Makaidos at Newbie Critics, Incredibooks, The mind and soul of Ian, The Insanity of a Homeschooler.
Read the first chapter.

Obtain a copy of The Bones of Makaidos
from the author
from Amazon
from Barnes & Noble
from Christianbook.com

Other Formats.
(Unabridged) Audible Audio Edition available

Request a copy at a bookstore near you (ISBN# 978-0899578743)
Ask your local library to order a copy.

Congratulations on this reader recognition, Bryan.

Guest Post By Author Eric Reinhold

Eric Reinhold is the author of the middle grade supernatural fantasy series, The Annals of Aeliana (Creation House). This summer the first book, Ryann Watters and the King’s Sword, is being made into a movie by TYG Studios. I asked […]
on Sep 3, 2010 · Off

Eric Reinhold is the author of the middle grade supernatural fantasy series, The Annals of Aeliana (Creation House). This summer the first book, Ryann Watters and the King’s Sword, is being made into a movie by TYG Studios. I asked Eric to share with Spec Faith a little about the series and the process of seeing it made into a movie.

Today Part 1, about the series, by Eric Reinhold:

The essential question in Ryann Waters and the King’s Sword is, “What would you do if an angel woke you in the middle of the night?” Ryann, a twelve-year-old boy, is visited by the angel Gabriel and tasked with finding the King’s sword. He reluctantly takes the challenge. He accepts three gifts from the angel to assist him along the way and solicits help from his two best friends, Terell and Liddy. Of course, with every good story you need conflict, so that same evening, across town, the class bully, Drake Dunfellow, is visited by a “dark” angel who enlists his services in stopping Ryann.

My daughters, Kaylyn and Kara, inspired the story. When they were five and seven years old, I would tell them stories before putting them to bed. Each night I would add different twists and turns and one night my eldest said, “Dad, you should make these stories into a book so other kids can enjoy them.” That was the first time I ever considered writing a book.

Through the ongoing story sessions I bounced ideas off my children to gauge their interest. These were mainly issues with the fantasy world of Aeliana, but the idea of using an angel and a “dark” angel in the series was in response to the witches and wizards of Harry Potter. I wanted to incorporate something real, the supernatural, into my books, versus the unreal magic of the Harry Potter series. I also wanted to incorporate strong family and biblical values. So much of the content in books for kids today blurs the line between good and evil. I wanted a series that parents could feel safe having their children read.

The characters are based on people I’m familiar with. It’s easier to write about what you know. Mr. Watters, as a graduate of the Naval Academy, has a very similar background to mine, which is where Ryann gets some of his obsession with timeliness. Book two opens with the kids on summer vacation. The Watters’ family is in the Chapel at the Naval Academy and then makes a visit to John Paul Jones’ crypt, where a clue is revealed for later in the story. Liddy is based on a mixture of my two girls. She’s athletic, pretty, with a spunky personality, and is definitely her own person.

As far as names are concerned, there’s a reason why Ryann has two N’s and his last name has two T’s, but you have to read the story to find out why. The names of Ryann’s friends, Terell Peterson and Lydia “Liddy” Thomas have very symbolic traits of characters by the same or partial names in the Bible. Other names such as Drake Dunfellow popped into my head as sounding evil, while the teachers names were done to illicit a laugh from kids.

Taylor Boswell as Liddy, Eric Reinhold, and Erin Bethea (Fireproof, Facing the Giants) as Liddy’s mother

For the setting I originally planned to make up a town somewhere in the South. Then on a trip to a nearby Florida location, it came to me that Mount Dora had everything I needed for my setting—a lake, interesting alleyways, quaint shops, a railroad, a unique bookstore (which is now closed), and church. Everything was compacted into a small area which made for believable interaction with the kids on their bikes. I remembered reading a book as a teen set in my home town. I had enjoyed the mention of familiar places. I also entertained the idea that if my series was every made into a movie, everything would be in place for filming, and kids could visit Mount Dora as a side trip on a visit to Orlando’s attractions. I had my setting.

To Be Continued

Heeding The Cries Of A Newborn Novel

Tuesday night. This week brought us a new schedule, with adjustments to our daily chores and other tasks, so we’ve gone to bed early. All the lights are out, the air-conditioner is running, all is comfortable and quiet … yet […]
on Sep 2, 2010 · Off

Tuesday night. This week brought us a new schedule, with adjustments to our daily chores and other tasks, so we’ve gone to bed early. All the lights are out, the air-conditioner is running, all is comfortable and quiet … yet I lay there helplessly awake.

There’s no reason for it — at least not at first. Then I hear the cries.

At first I try to ignore them. Come on, I don’t have time for that now, not tonight and likely not this week either. I won’t even have time to work on that. And surely not now, when what I really need is to catch up on sleep, especially in advance of tomorrow, with an article to write in the morning about the late meeting I had attended earlier and …

Still the cries won’t stop. What is the problem? Obviously it won’t quit. The sole solution is clear: I’ll have to delay my sleeping, get up, stumble downstairs, and start feeding it.

All right, fine. I’m here now. Settling into the desk chair, I pull up the laptop screen and squint, not only from the sudden glow but from the weaker-prescription glasses I still use at nighttime. Click, click — I reach up to switch on both bulbs of the nearby light fixture. Fine, let’s go ahead and do something. What was that first constantly recurring thought that wouldn’t go away?

Up comes the file. It bears the project’s name, along with Dreams and Elements. (By now I’m sure these grandiose-sounding file titles are just for me.) My last note here was from Tuesday, Aug. 17. Really, that recently? Just a week ago. I hit enter, giving a new bullet point, and type.

“Live by the flatscreen, die by the flatscreen.” That may end up being a direct quote from a 77-year-old man, to another man. I add the attributions, and a date and time — why, I’m not sure.

Now the crying isn’t so loud. It seems much more content. And that wasn’t so hard to write, was it? Sometimes these novel ideas seem far more intimidating than they actually turn out to be. Of course, this is from the perspective of someone unpublished, on the creating side, not the editing/selling side. But even here, the idea of actually trying to create a sequel, to a story whose first draft I only finished in the spring, seems insurmountable, possibly even egotistic.

Another note of the date and time, and another description: Much thought just now, in bed, leads to this quasi-final conception of [this novel’s] two-part finale. … That paragraph turns out much longer than I would have thought. Then another note, then another, and another …

Finally all is quiet again. Is that it? The crying has stopped. I can go back to bed.

Reality returns the following morning. My wife heads to work, and later so do I. Wow! Now here’s something even more spellbinding: the county fiscal court approved its real and personal property tax rates for this year. Hey, it’s a living (and even this can honor God).

The article is done. I hear another whimper. That dreams-and-elements file is still open. If I don’t write this, I’ll wrongly assume I’ll remember it later — and might not. Well, okay.

Just one more note. It ends with jobs and more for the poor.

Hours later I still don’t know what happened. I’m not ready for this. I won’t be able to follow through, I’m not mature enough, need to grow up better. This is a task to do later on, right, maybe after I’ve prepared better, or accomplished some other need, or obtained others’ interest in the first project in this series! Why go ahead and have another one? There’s no point to it, I’ll first need to do more research for it, and it’s too big, it’s too complex a goal, and …

And now it’s macro-outlined, in 2,140 words. Those five pages describe the entire story. It includes the main points. Subplots are either in there or hinted at. By seeming accident I’ve gotten in all the themes — as far as I can tell — that seem naturally interwoven. Those last few notes were the key. Suddenly I found: there’s no longer an excuse to avoid starting this now.

A newborn novel. It’s kept me up nights, required feeding here and there, and could prove to be a tremendous responsibility. Yet possibly in all my attempts to push back a bigger project, convinced it would be presumptuous or irresponsible to try this now, before I’ve grown more as a writer and attempting novelist — I would be avoiding the very means by which I’m supposed to grow more as a writer, or become the proud father of actual novels.

Who knows for sure? Only the Author of Life itself. And I’m reminded that in other areas of life — becoming more like Christ, falling in love and pursuing marriage, or actual parenthood to real-life children — He throws us into situations before we expect. We may not have prepared for these tasks in advance. Rather, undertaking the task itself is the preparation.

So what now? Well, one week later I’m five chapters in — not working on the novel itself, but a micro-outline. This outline will be much more detailed, and it’s based on 40 two-line chapter summaries written last Thursday. Even more I’m learning about this story and how to be a good guardian in helping it grow. Sure, I don’t have perfect experience at this, but that doesn’t matter. I’m trying anyway, and I hope for God’s glory.

Now I wonder how others deal with the sudden arrival of a new novel or story concept. When do ideas enter your mind? Where do themes, visuals, dialogue, descriptions, plot twists, action sequences interfere with other tasks? How do you track them? What accounts might you have heard from other authors whose work you enjoy?

And while you’re pondering that, perhaps I’ll go play more with the new arrival. …