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Listening To Left Behind: Prologue

Skip the “Left Behind” movies (likely including the upcoming “Caged” remake). The audio-drama series is much more fun. And I hope to re-explore them in a new series.
| Mar 7, 2013 | No comments | Series:

By now you’ve likely seen this film poster. Thanks to Relevant.com last month, it’s crashed here from the planet of Do Not Adjust Your Internet, For This Is (Apparently) No Parody.


Yes, that would be none other than a Left Behind movie reboot, the “Caged” version — as in, starring Nicolas Cage, along with another actor I don’t know, and another actress I don’t know but who reportedly headlined in High School Musical 3.

Someone failed to tell the Left Behind re-makers that Nicolas Cage is currently performing community service as the punch line of the internet. Yet I also recall these are the same Christian filmmakers who — I’m sure with the best intentions — pioneered the “release a movie to home video and then to theaters” marketing model.

I still recall my profound disappointment with that first Left Behind movie (The One with Kirk Cameron).1 Here I’d expected blockbuster end-times awesomeness. Instead I got a cheesy direct-to-video low-budget attempt that arbitrarily changed Buck Williams to a clichéd TV reporter — as opposed to the books’ clichéd-and-already-dated-in-the-age-of-blogs weekly newsmagazine reporter — and worse, dropped out all but one mention of the very Name of Jesus Christ from the film. From my memory, the Savior’s only Name-check comes in a mention by T.D. Jakes, the Trinity-obfuscating leader who cameos in the film.

For the sequel, Kirk Cameron, then with Way of the Master, tried to rectify the Gospel-ignoring — resulting in a rather painful reenactment of the “Way” for a minor character.

Those are relatively major objections to the series based on doctrine and storytelling. But nine years after the book series’ 12th volume, Glorious Appearing, released in (expected?) shiny-white-rather-than-black-matte hardback, I disagree with much of the series’ minor-issued doctrines, especially that whole “Rapture” part.2

However, I’m not a snarky Left Behind critic. I have almost all the adult series’ 16 books, missing only Kingdom Come — the truly worst of the series that was set after a “millennial kingdom” and thus had no enemies and no plot. Yet I still appreciate the series in many ways. God used that series in my life for His purposes. If not for the LB series and their authors’ attempts to be faithful to Scripture, to harness imagination for God’s glory, and even to explore sci-fi and fantasy (though with overly constricted applications, especially in Kingdom Come), today I would likely not be writing fiction or writing for Speculative Faith.

Yet it’s the audio drama series I enjoy the most. Few know about the Left Behind dramas — or they confuse them with audiobooks. So I get major evangelical-hipster points for this.

Not an audio book, but audio theater. And now apparently anyone can listen to the complete dramatized series for free, at OnePlace.com.

The first dramatized audio adaptation of Left Behind, the first novel, released in 1999 and the last in 2004. When complete, the series spanned 144 25-minute episodes, 12 episodes per book. All were recorded at the Chicago studios of Gap Digital, whose engineers and producers have also edited and sound-effected episodes of Adventures in Odyssey and Focus on the Family Radio Theatre. Chris Fabry, now a successful contemporary-drama novelist, wrote the adaptation, often along with head production engineer Todd Busteed. With few exceptions, the actors were amazing. (In the last episodes, Jesus Christ sounded exactly like Christian recording artist Steve Green. But let’s admit it’s very hard to get His voice right.)

In the late ‘90s and early ‘00s I was quite the audio-drama fan. Being a proto-evangi-nerd, I corresponded with the dramas’ head production engineer and even suggesting ideas for demon-locust sound effects. (When Apollyon released, I was sure they had used the idea.)

Now, as I recently noted in a Speculative Faith comment, I realize that my love for Left Behind was my first experience with fandom — either “evangelical” or otherwise.

And now, about ten years later, I’m listening to the audio drama series all over again.

Want to join me?

Here’s how this will work:

  1. This won’t be done in a blog series as I usually do. Rather I’ll make use of Speculative Faith’s new News section, to post sporadic updates as I listen to LB episodes.
  2. In those news posts I’ll summarize an episode and briefly explore its story and doctrine.
  3. If you want to follow along, I’ll link to episodes that are evidently free at OnePlace.com.
  4. Meanwhile on the blog, before Easter Sunday, I’ll explore the often-confused and weakly applied yet fantastic Biblical concept of resurrection: Christ’s past resurrection, His people’s present/future resurrection, and physical creation’s future resurrection.

View the in-progress Listening to Left Behind series here.

  1. I wasn’t the only one. Coauthor Tim LaHaye himself sued the producers and in 2008 they settled — yet somehow Cloud Ten Pictures regained the rights; hence, the “Caged” remake.
  2. Why? Seven words: Resurrection will be simultaneous with Christ’s return. This alone rules out a secret “rapture” concept: for bodily resurrection is clearly set at the very end of this old Earth’s history, when it’s time for Christ’s redeemed people to enter the final eternal state: the physical, resurrected New Heavens and New Earth (Rev. 21). Especially in the third prequel, The Rapture, LaHaye/Jenkins mangle the doctrine of the physical resurrection of the saints.
E. Stephen Burnett is coauthor (with Ted Turnau and Jared Moore) of The Pop Culture Parent: Helping Kids Engage Their World for Christ, which will release in spring 2020 from New Growth Press. He also explores biblical truth and fantastic stories as editor in chief of Lorehaven Magazine and writer at Speculative Faith. He has also written for Christianity Today and Christ and Pop Culture. He and his wife, Lacy, live in the Austin area and serve as members of Southern Hills Baptist Church.

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Hey, thanks for flagging up the audio series. I heard some of them on the Radio a few years ago, and enjoyed them. As I did the first book, although I couldn’t get into the second one, as the writing style irritated me so much. (I don’t agree with the view of endtimes either, but it’s fantasy after all!)
I’m always listening to BBC audio dramas/comedies while I’m working, but there are only so many of those that I want to listen to. I think these will last me a while!

Kessie Carroll

I didn’t know that the radio drama team had produced those! That, alone, assures me of their quality. Their adapt of the Horse and his Boy, with the perfect horsey-sounding voice actors, was better than any movie.
That said, Left Behind just isn’t _bad enough_. It’s the end of the world, and any Frank Peretti novel worth its stuff has badder stuff happening. Heck, I’ve read _fanfics_ with a more horrifying apocalypse. There were originally only supposed to be 7 books, so that’s as far as I read. Then it had so obviously become a cash cow that I abandoned the series and never looked back. :-p

R. J. Anderson

I’m actually a premillennial dispensationalist (if such labels are any use at all), and I could not get through the first chapter of LEFT BEHIND. The whole idea of the series makes me feel queasy, to be honest. Because I think it opens up a number of very important and serious Biblical doctrines to misunderstanding and confusion, gives needless offence and fodder for ridicule to those outside the faith, and makes it all too easy for even earnest Christians to mistake the authors’ speculations for gospel, so to speak. The fact is, we simply don’t know the specific details of how or when the end times are going to play out and what all the symbols in Revelation really mean, and I think it’s less damaging for a Christian novelist to write about the Zombie Apocalypse than to try and describe what they think the Biblical Apocalypse will be like and get it embarrassingly wrong. (Hal Lindsey, I’m looking at you.)
I’m glad that LEFT BEHIND inspired you to get interested in speculative fiction — that’s good to hear. But I still wish that the series had never been written, and after seeing some reviews of the later books, I’m not sorry I didn’t force myself to keep reading them.


I think a lot of the problem is it’s not portrayed as fiction but this is how it will really be.
That’s one thing I liked about Chris Walley’s series. I don’t agree with that eschatological view either (actually I have no fixed views at all). However, although it is the view the author would favour, he makers it clear in the little note at the front that he is not saying ‘this is definitely how it will be’ (sorry, don’t have the book to hand). From his site:

these books are, above all, novels. Their purpose is simply to tell a tale that will, hopefully, intrigue, engross and please readers. Although they are based on a post-millennial theology they were not written in order to popularise that particular view of the ‘End Times’ and they are certainly not ‘fictionalised theology’. […] although the books are based on a particular theological position that I think has lot going for it, I am no dogmatic and confrontational holder of this position. I hold my views cautiously and provisionally and I am prepared to accept I am wrong. I will be delighted (if a little surprised) if I am raptured tomorrow.

The spiritual lessons we do get from his books will be of benefit to us whatever actually happens at the end of the world! Because at the end of the day, it makes little difference to our lives whether there’s the risk of being raptured tomorrow or not. We equally might be run over by a bus.

Lex Keating

I sense a disturbance in the Force…
Yes, Cage is constantly on the prowl for material that will allow him to lead where no one can follow, but this sounds like trouble. Like your wife, I abandoned the books partway through. (I’d read the source material, which I found more compelling and interesting than the human plot twists.) However, I appreciate the discussion and interest the fiction generated. I’m curious about the audio now, because I’m a fan of Chris Fabry. (77 Habits of Highly Ineffective Christians remains my favorite.)


I’ve been getting into audio dramas even more recently–some of the older Adventures in Odyssey, BBC Radio Four Extra adaptations of Terry Prachett, BBC Cabin Pressure, and Big Finish Doctor Who serials. It’s actually easier to produce good radio than film in my mind, and the Focus adaptions of  Narnia are superior to the Walden films most of the time.


Cabin Pressure is one of my favourites!

Christian Jaeschke
Christian Jaeschke

I  read the books and found them incredibly long-winded and poorly-written, also the lengthy show-stopping sermons proved silly and counter-intuitive for fiction but I was curious to see what happened, so I read all 12 books. I guess I’m a glutton for punishment. I found Aslan to be a much better Jesus than Book 12’s Cardboard Jesus. That said, this audio theatre edition seems an improvement on the books (judging by the 2 ‘episodes’ I’ve listened to). Good stuff!

D. M. Dutcher

Audio drama can be fun. If you can scare up a copy, National Public Radio did an absolutely wonderful version of Star Wars, using members from the original cast. There’s plenty of free, older drama too at places like the internet archive. I’m not a big Left Behind fan, but it could only get better if adapted into one.
I can’t understand why on earth Arclight pictures would choose Nicholas Cage though.  He’s legendary for bad acting. NOT THE BEES ARRRGGHBLARG! I AM A VAMPIRE! They might as well invite the Slacktivist and make him creative consultant while they are at it.